印象兴宁 水墨珠海

“谁将平地万堆雪，剪刻作此连天花。”韩愈的佳句瞬间冒上心头。紧随蜂蝶舞步钻入树丛，我细细阅读密匝匝缠着花枝的花瓣，每一朵花都有一片花瓣尖的色泽与众不同，带着与同朵其他四片雪白色泽的花瓣不一样的淡淡的浅红色晕，花瓣尖那么一点，仿佛毛笔尖轻轻一沾，但是，就这么一丁点红晕，却并不与鹅黄的花蕊、洁白的花瓣形成色彩冲突……赏李花，不妨抬起头，在金黄的阳光里在湛蓝的天幕之下，团团簇簇的花枝和不时穿插其间的蜂蝶，足以让任何诗人闭嘴，足以让任何画师颤抖。穿梭树下，暗香浮动，人没醉，眼先迷离心先醉，手抓着相机，你往往不知道眼要往哪里看手要往哪里拍，就像第一次约会时那种惊慌失措的感觉，当年那重惊喜、痴迷和沉溺的感受随着淡雅的花香，再度袭上你的心头……

我执

我想很多人都有这种经验。你不能主动，你不能做任何事，你只能等他心血来潮问候几句的时候平淡和缓地应答，你不该成为逼迫的力量，你是一株等待季节性阵雨的沙漠植物。

莱博维茨的赞歌

但为何一切又要重演？答案就在耳边，伊甸园的蛇仍在嘶嘶低语：因为神知道你们吃了这果子，眼睛就会明亮，你们便如神能知善恶。这位谎言的始祖在混淆真假上可谓聪明绝顶：不涉足邪恶，如何“知”善恶？吃了果子便如神，可纵使拥有了无尽的力量和无穷的智慧，人也无法获得神性。只因没有无穷的爱。

自深深处

You admired my work when it was finished: you enjoyed the brilliant successes of my first nights, and the brilliant banquets that followed them: you were proud, and quite naturally so, of being the intimate friend of an artist so distinguished: but you could not understand the conditions requisite for the production of artistic work. I am not speaking in phrases of rhetorical exaggeration but in terms of absolute truth to actual fact when I remind you that during the whole time we were together I never wrote one single line. Whether at Torquay, Goring, London, Florence or elsewhere, my life, as long as you were by my side, was entirely sterile and uncreative. And with but few intervals you were, I regret to say, by my side always.