《四月裂帛》
作品名称:四月裂帛,创作年代:当代,作品出处:《女儿红》,文学体裁:散文,作品作者:简媜。 三月的天书都印错,竟无人知晓。 近郊山头染了雪迹,山腰的杜鹃与瘦樱仍然一派天真地等春。三月本来无庸置疑,只有我关心瑞雪与花季的争辩,就像关心生活的水潦能否允许生命的焚烧。但,人活得疲了,转烛于锱铢、或酒色、或一条百年老河养不养得起一只螃蟹?于是,我也放胆地让自己疲着,... (更多)
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《四月裂帛》
作品名称:四月裂帛,创作年代:当代,作品出处:《女儿红》,文学体裁:散文,作品作者:简媜。 三月的天书都印错,竟无人知晓。 近郊山头染了雪迹,山腰的杜鹃与瘦樱仍然一派天真地等春。三月本来无庸置疑,只有我关心瑞雪与花季的争辩,就像关心生活的水潦能否允许生命的焚烧。但,人活得疲了,转烛于锱铢、或酒色、或一条百年老河养不养得起一只螃蟹?于是,我也放胆地让自己疲着,... (更多)
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她脚步自由,神情自由。自由就是自然吧而她又多么孤独。自由就是孤独吧而她对这孤独无所谓,自由就是对什么都无所谓吧
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You admired my work when it was finished: you enjoyed the brilliant successes of my first nights, and the brilliant banquets that followed them: you were proud, and quite naturally so, of being the intimate friend of an artist so distinguished: but you could not understand the conditions requisite for the production of artistic work. I am not speaking in phrases of rhetorical exaggeration but in terms of absolute truth to actual fact when I remind you that during the whole time we were together I never wrote one single line. Whether at Torquay, Goring, London, Florence or elsewhere, my life, as long as you were by my side, was entirely sterile and uncreative. And with but few intervals you were, I regret to say, by my side always.
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