我用尽青春，只为寻你：徐志摩传

二十五岁以后的女子遭遇爱情的机会将渐渐减少，但是遭遇到传奇的机会却增加。

狂喜的艺术

这就是静心的艰难所在，这就是静心的严峻所在：一个人必须跳进死亡。存在的悖论，存在的辩证法就是这样运作的：如果你愿意去死，这种愿意就使你不死；但是如果你不愿意去死，这种不愿意、这种对生的过分的执着和欲望，却使你死亡。

愿风裁尘

闲来春雨秋风凉，一过淮河日影长。院落黄发跳石阶，石阶青绿转鹅黄。

自深深处

You admired my work when it was finished: you enjoyed the brilliant successes of my first nights, and the brilliant banquets that followed them: you were proud, and quite naturally so, of being the intimate friend of an artist so distinguished: but you could not understand the conditions requisite for the production of artistic work. I am not speaking in phrases of rhetorical exaggeration but in terms of absolute truth to actual fact when I remind you that during the whole time we were together I never wrote one single line. Whether at Torquay, Goring, London, Florence or elsewhere, my life, as long as you were by my side, was entirely sterile and uncreative. And with but few intervals you were, I regret to say, by my side always.