p63For Leopardi, unhappy hedonist that he was, what is unknown is always more attractive than what is known; hope and imagination are the only consolations for the disappointments and sorrows of experience. Man therefore projects his desire into infinity and feels pleasure only when he is able to imagine that this pleasure has no end. But since the human mind cannot conceive the infinite, and in fact falls back aghast at the very idea of it, it has to make do with what is indefinite, with sensations as they mingle together and create an impression of infinite space, illusory but pleasuarable all the same.p67In our century Paul Val\39;ery is the one who has best defined poetry as a straining toward exactitude. I am speaking chiefly of his work as a critic and essayist, in which the po...